Intersections: Reading the Space

Conceived and co-curated by the Australia-based artist Irene Barberis, this exhibition features the work of Barberis and two other artists: Parastou Forohaur, an Iranian exile living in Germany, and Jane Logemann, who lives in New York. These three artists, who come from different backgrounds and work in different artistic media, all use abstractions of text and language as a theme in their work. By creating non-linguistic images from various texts, Forohaur, Barberis, and Logemann allow audiences to "read the space" whether the alphabets they use are familiar or not. Indeed, much of the work is intended to be somewhat abstract. Each of the artists intend for the forms of these letters and scripts to become more powerful than the literal meaning of the words themselves. The three artists also share an interest in challenging the issues of patriarchal faiths through the voices of women.

Irene Barberis' art reworks Christian writings using the materials of a post-modern, post-industrial age. Plastics, silicon, and fluorescent colors form grid-like structures and patterns in her installations, which emphasize the fundamental nature of faith through disjunction. Her individual work for the exhibition includes a vibrant, oversized pink inflatable sculpture as well as works ornamented with visionary Biblical texts which are inscribed by a sewing machine or drawn in silicon. Barberis initiated the creation of Intersections and co-curated the exhibition with Helen Light of the Jewish Museum of Australia.

Iranian-born Parastou Forouhar who lives in exile in Germany, works in many media exploring the role of women in Islamic traditions, examining cultural identity and the forces that put one into boxes defined by others. She frequently uses the materials and textiles of the Iranian stereotype—chadors, turbans, beards, and veils—reflecting of the Western gaze back onto itself. One of her individual works for the exhibition, Written Carpet, features a traditional Islamic decorative motifóthe beautiful, eloquent Persian script, which eccentrically connects writing and space, as it courses over the walls, the floor, and the ceiling.

Jane Logemann uses texts taken from languages as diverse as Russian, Arabic, Korean, Japanese, and Hebrew. Her repetition of words is mesmerizing and almost Kabbalistic as it evokes the strength and mystery of the combination of letters that make meaning. Her 10-piece Plague Series, included in the exhibition, portrays each of the plagues visited by God on the Egyptians in the Jewish Passover story; the name of each plague is repeated over and over against a different background color from the green of Frogs to the cold grayish purple of Pestilence.

The Joint Work is at the heart of Intersections: Reading the Space. The cloth was not just a collaborative negotiation between the women, but an act of great faith as each entrusted an evolving piece of work to one another. According to Barberis, the piece began as a gentle conversation, each woman working adjacent to but respectful of the other’s space. The aesthetic of the piece that emerged from the first two circulations was beautiful and delicate with soft, pastel colors. It was Forouhar who decided to move out of what she calls the “small talk” phase in the third circuit of the cloth. Her final contribution was confrontational. She introduced bright color in her calligraphy and appliqued patches of Persian mourning cloth to the piece. Upon receiving the drastically altered work, both Logemann and Barberis had to completely rethink their approach to this new arena of meaning. Both seized the possibility of change and, with their own final additions, shifted the language of the collaboration.

Intersections: Reading the Space is an exhibition from the Jewish Museum of Australia, Gandel Centre of Judaica. The San Francisco presentation is made possible through major support from The Simcha Foundation and The Estate of Naomi Koch Estess. Additional support for the exhibition has been provided by the Consulate General of Australia, Hotel Griffon, and Qantas Airlines.