Jewish HistoryJewish Culture & IdeasFilm & VideoContemporary Art
Jun 27, 2019–Feb 23, 2020
Tonight the World, Daria Martin’s new installation, co-commissioned with Barbican, London, combines computer gaming technology and film to explore the unconscious memories of her grandmother, Bay Area-based artist Susi Stiassni. As a teenager, Stiassni and her family fled then Czechoslovakia from the imminent Nazi occupation, eventually settling in Marin County, where Martin was born and raised.
An immersive and atmospheric environment, Tonight the World stages a series of intimate encounters with an extensive archive of Stiassni’s dream diaries. Created over a thirty-seven-year period, these meticulously recorded accounts—originally chronicled for the purposes of Jungian psychoanalysis—amount to over 20,000 diary pages. Stiassni’s dreams frequently return to the disquieting history of her childhood home, a modernist villa built for the prominent Jewish textile industrialist family in the city of Brno in 1927. The Gestapo seized the villa following the family’s departure in 1938, after which it was occupied by various Czech governments. The Villa Stiassni remains a National Heritage site in Brno today.
The multimedia exhibition includes Refuge, a computer game based on a 3-D rendering of the Villa Stiassni that Martin designed with game developers in Brno; a selection of nearly 300 pages from Stiassni’s original dream diaries explicitly referencing Brno; a selection of Stiassni’s original paintings, created with Ann O’Hanlon’s Mill Valley group Sight and Insight; and culminates in Tonight the World, an original film bringing Stiassni’s dreams to life. Shot onsite at the present-day Villa Stiassni, the film reimagines five dream diary vignettes, amplifying recurring themes of anxiety and intrusion. The installation operates simultaneously as a portrait of Martin’s ancestor, a self-portrait, and an exploration of intergenerational trauma, intolerance, migration, loss, and resilience.
The exhibition premiered at the Barbican Curve Gallery, and has been co-commissioned by Barbican, London and The CJM. Daria Martin: Tonight the World is curated by CJM Senior Curator Heidi Rabben, with exhibition design by Melissa Appleton.
This exhibition is included in your general admission ticket. Museum admission also includes free access to all public programs and tours, unless otherwise noted. Public tours are offered daily (except Wednesdays) and are available first-come, first-serve—no reservations are necessary. Private guided tours, access tours for visitors with disabilities, and guided tours for school groups of all ages are also available.
* Please be aware that the exhibition has areas of low visibility and contains sudden loud noises. The exhibition also includes a video game with moving visual patterns. Visitors sensitive to these effects should exercise caution. Large print transcripts of wall text and video is available in a dispenser at the entrance of the gallery.
Daria Martin’s “Tonight the World”, Art Agenda
Daria Martin: Tonight the World, Brooklyn Rail
Daria Martin Films Her Grandmother's Dreams in 'Tonight the World,' KQED Arts
Daria Martin: Tonight the World, Lilith
Ominous Dreams, Bay Area Reporter
The 6 San Francisco Museum Exhibitions You Can't Miss in 2019, SF Travel
Daria Martin: Tonight the World has been commissioned by Barbican, London and co-commissioned by The Contemporary Jewish Museum, San Francisco. The exhibition is curated by Heidi Rabben, Senior Curator, The Contemporary Jewish Museum.
Lead sponsorship is generously provided by Maribelle and Stephen Leavitt, Michael Steinberg, Suzanne and Elliott Felson, Dorothy R. Saxe, Lisa Stone Pritzker, John Pritzker, Ron and Barbara Kaufman, Phyllis Moldaw, Roselyne C. Swig, Adrienne Bavar and Marc Wolfe, the Taube Foundation for Jewish Life & Culture, Joyce B. Linker, Kendra and Tom Kasten, Lara and Antony Ritch, Marilyn and Murry Waldman, Judith and Robert Aptekar, Dana A. Corvin and Harris Weinberg, Nellie and Max Levchin, David Saxe, Jennifer and Tony Smorgon, Ruth Stein, Alexandra O. Moses, and Emily and Stephen Mendel. Additional support is provided by Shelli Semler and Kyle Bach; the South Moravian Film Endowment Fund, Czech Republic; Masaryk University, Brno; and St. John’s College, University of Oxford.